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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
19th Century British Novels
Description
An account of the resource
The Gomatos Collection contains Romantic and Victorian-era British novels (at least one in a serialized format), as well as materials related to such novels, like the 20th century lithographs illustrating Jane Eyre.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cranford
Description
An account of the resource
Cranford is a collection of satirical stories about life in the countryside in Victorian-era England. It was initially published in 1853 as a full novel, though before this it was published serially in Household Words, which was edited by Charles Dickens. The novel draws heavily from Elizabeth Gaskell’s own life, and as such the eponymous town of Cranford is based on her hometown of Knutsford, Cheshire. Because of the way it was initially published, the novel has been criticized for having no typical plot structure.
This specific edition is the first edition printed as such. It contains a myriad of illustrations, 110 to be exact, by Hugh Thomson. The illustrations are used primarily as front- and endpieces for chapters, though several of them also illustrate direct quotes from the text. The cover and spine both have extensive gold-ink illustrations, and the edges of the pages are also gilded. The front cover and title page, interestingly, do not give Elizabeth Gaskell’s first name, opting instead to refer to her as “Mrs. Gaskell”.
The preface for this edition was written by Anne Thackeray Ritchie, who was a contemporary and another well-known Victorian female author. She’s also known as the daughter of William Makepeace Thackeray, author of Vanity Fair, and the step-aunt of Virginia Woolf.
Further Reading
Brake, L. (2012). Elizabeth gaskell's cranford: A publishing history. Victorian Studies, 54(4), 767-769,778. Retrieved from http://proxymu.wrlc.org/login?url=https://search.proquest.com/docview/1265597634?accountid=27975
Recchio, T. (2003). "Charming and sane": School editions of cranford in america, 1905-1914. Victorian Studies, 45(4), 597-623. Retrieved from http://proxymu.wrlc.org/login?url=https://search.proquest.com/docview/211911273?accountid=27975
https://catalog.wrlc.org/cgi-bin/Pwebrecon.cgi?BBID=4014773
Creator
An entity primarily responsible for making the resource
Author: Elizabeth Gaskell
Publisher
An entity responsible for making the resource available
Macmillan and Co. and New York
Date
A point or period of time associated with an event in the lifecycle of the resource
1891
Format
The file format, physical medium, or dimensions of the resource
Book, 1v. 19cm, 297 pp.
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
https://catalog.wrlc.org/cgi-bin/Pwebrecon.cgi?BBID=4014773
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
19th Century British Novels
Description
An account of the resource
The Gomatos Collection contains Romantic and Victorian-era British novels (at least one in a serialized format), as well as materials related to such novels, like the 20th century lithographs illustrating Jane Eyre.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jane Eyre - Covers, Endpapers, & Full page Proof Lithographs
Subject
The topic of the resource
Jane Eyre, Barnett Freedman, Printmaking, Lithographs, Charlotte Bronte, Art, Book Illustrations,
Description
An account of the resource
Jane Eyre - Covers, Endpapers, & Fullpage Proof Lithographs is a collection of lithographs that were inspired by Charlotte Bronte’s novel Jane Eyre. The book contains numerous lithographs that illustrate certain scenes from the novel, in total there are 17 lithographs that are included within the book. The lithographs were created by British book illustrator and lithographer Barnett Freedman in March of 1942. Barnett’s lithographs are mainly interpretations of scenes from Bronte’s novel that were transformed into art. Lithography “is the process of printing from a flat surface treated so as to repel the ink except where it is required for printing”(Oxford Dictionary).
The collection of lithographs have been compiled into a book, the book itself is a hard-cover, with a canvas surface.
Creator
An entity primarily responsible for making the resource
Freedman, Barnett, 1901-1958.
Publisher
An entity responsible for making the resource available
Heritage Press: New York: U.S.A. Edition
Date
A point or period of time associated with an event in the lifecycle of the resource
[1942]
Contributor
An entity responsible for making contributions to the resource
Alsulaimani, Lujain
Assamawy, Ghadeer
West, James
Rights
Information about rights held in and over the resource
Freedman, Barnett. Jane Eyre - Covers, Endpapers, & Fullpage Proof Lithographs. 1942. New York, USA. Heritage Press. Print (Book)
Format
The file format, physical medium, or dimensions of the resource
Medium
Lithograph on Paper
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
https://catalog.wrlc.org/cgi-bin/Pwebrecon.cgi?v1=4&ti=1,4&=&=&=&=&PID=SVvf19JsK-xoVJpAJI889IS&SEQ=20171130160816&SID=1
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
http://www.tate.org.uk/art/artworks/freedman-untitled-p11814
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
19th Century British Novels
Description
An account of the resource
The Gomatos Collection contains Romantic and Victorian-era British novels (at least one in a serialized format), as well as materials related to such novels, like the 20th century lithographs illustrating Jane Eyre.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Frankenstein : or, The Modern Prometheus
Subject
The topic of the resource
British, Monster, Illustrated Edition, Horror, Fiction, Science Fiction, Gothic, 1800s, Romantic Movement, Novel.
Description
An account of the resource
Originally printed in a series of three volumes in 1818, Mary Shelley's Frankenstein is a fictional tale of a scientist, named Victor Frankenstein, who creates life by using a mixture of science and alchemy. The unnamed creature flees from his creator and he is met with hostility and hatred from humans in the area. The creature is ultimately seen as a monster and persecuted. The monster has the singular goal of being accepted and loved by others, ideally a reflection of himself. The book relies on an extended metaphor of Victor Frankenstein playing the role of God, and by extension, the monster serves to play the role of the first man in the Book of Genesis, Adam.
There are major differences between the 1818 edition and 1831 edition. In the 1831, Mary Shelley had heavily revised the book. The two main differences are Elizabeth’s character in the story and her letter to Victor when he is away for college. In the 1818 edition, Elizabeth is Victor Frankenstein’s cousin. She is Victor’s father sister’s daughter. In 1831, Elizabeth was adopted in Lake Como in Italy. Elizabeth letter starts differently in each edition.
In this edition, a second story is seeded into the bindings. The second story is called The Ghost-Seer, written by Friedrich Schiller, a German author. This printing of The Ghost-Seer is the first of multiple volumes set that placed together, contain the entire text. The story shares many of the same themes as Frankenstein in that it uses religion and necromancy in the presentation of the plot. This male author's work is also considered to be Gothic Literature, and its presented along-side Shelley's to play off the themes present in the prior novel. This technique of adding a shorter portion of a book into the biding was a way for publishers to sell books in the early 1800s, as it worked as a sort of advertising.
Mary Shelley began writing this story when she was at the age of 18. Mary Shelley was born on August 30, 1797, in London, England. Her maiden name before she was married was Mary Wollstonecraft Godwin. When she has discovered her father’s enormous library, she discovered her creativity in writing. She met Percy Bysshe Shelley, a student of her father. They fell in love and fled from her home with her step-sister Jane (Claire) Clairmont. In the summer of 1816, Mary, Percy and Jane were in Geneva, Switzerland with Lord Byron and John Polidori. As guests of Lord Byron, they stayed indoors talking about the supernatural and science. Lord Byron challenged them to write the best horror story after they read Fantasmagoriana, a book about German ghost stories. When Mary Shelley fell asleep that night, she had a nightmare. There was a man kneeling next to a giant creature figure that he created. This inspired her story, Frankenstein.
Today, Frankenstein is used as an example of Gothic literature, as it coincides with the time of this artistic movement and displays many of the traits involved with that writing style. Shelley is a prominent English author and helped the emergence of other woman writers as the field in the early 1800s was extremely male dominated. This illustrated edition of the novel includes another story titles The Ghost Seer. The story of Frankenstein has been adapted into multiple plays, movies and TV shows. The importance of this novel in the collection stands for many reasons, as Frankenstein has become a cultural symbol in the modern world, written by a woman when there were few in the field, and as a conduit to learn about Gothic Literature.
This edition contains two interesting illustrations at the beginning of the volume. The first picture has Victor Frankenstein and the creature in it. The creature does not look how Mary Shelley describes it in her story. It looks more human. Victor looks different compared to the next illustration. It is as if the experiment has made him deranged. Victor seems as if he is running away from the creature. The second picture has Victor and Elizabeth. It looks like Victor is heading out, but Elizabeth is holding on to him. I assume Elizabeth does not want Victor to go. There is a square dark spot around the picture. The dark spot is the ink from the previous page passing through this page. The illustrations are printed. The artist of the illustrations drew on a metal sheet and pressed the metal sheet into the pages. The book is often closed so the ink from the pictures would leave a stain into the next page as time goes by. There are dark spots on the page. It shows that the page is wearing out since it was made in the 1830s. The font in the illustrated Frontispiece is different from the whole page. It is in cursive. The illustrative title page also uses capital letters in the font slab serif. Each chapter has a small letter in the bottom center and the page number on the top right.
Source: Butler, Marilyn. Appendix B. Frankenstein or The Modern Prometheus, by Mary Shelley, 1818, Oxford University Press, 2009, pp. 198-228.
Creator
An entity primarily responsible for making the resource
Mary Shelley (Frankenstein), Friedrich Schiller (The Ghost-Seer)
Publisher
An entity responsible for making the resource available
Henry Colburn and Richard Bentley
Date
A point or period of time associated with an event in the lifecycle of the resource
1831
Contributor
An entity responsible for making contributions to the resource
Stallings, Samantha. Guy, Teague. Villarroel Obando, Melina. Jamal, Ambreen.
Format
The file format, physical medium, or dimensions of the resource
Book, Novel
Language
A language of the resource
English
Type
The nature or genre of the resource
Fiction, Science Fiction, Gothic, Romantic movement, English Literature,
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
19th Century British Novels
Description
An account of the resource
The Gomatos Collection contains Romantic and Victorian-era British novels (at least one in a serialized format), as well as materials related to such novels, like the 20th century lithographs illustrating Jane Eyre.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bleak House
Description
An account of the resource
<em>Bleak House</em> is one of Dickens’ most famous novels. <em>Bleak House</em> centers around a legal dispute known as Jarndyce and Jarndyce. Readers are introduced to a panoply of characters, each of whom is shown to have some connection to the case in one way or another. This novel is told by two narrators: a third person narrator and a first person narrator known as Esther Summerson. It was first published serially in <em>Household Words</em> between March 1852 and September 1853. <br /><br />The front and back hard-covers of these two particular volumes (22 and 23) are plain dark red, with faded gold lettering. Together, the volumes contain 57 detailed illustrations by Fred Barnard which add to the piece and its characters. The illustrations evoke a darker image of the novel’s plot as compared to the illustrations by Hablot Knight Browne (“Phiz”) in the serialized edition of <em>Bleak House</em>. For example, the illustration that represents the Jellyby’s household in the 1900 edition has a different atmosphere than the serialized edition. Mrs. Jellyby is seen attentively writing her letters with all the scattered papers around her, the children and the tilted frame attached to the wall on the right hand of the illustration display the devastated life condition of the Jellyby family. This contrasts with Phiz’s depiction of the house, which focuses on the origins of the relationship between Caddy Jellyby and Esther Summerson. Readers can grasp the significant facts from Fred Barnard’s Illustrations of <em>Bleak House</em>, because it gives a wide perception into the employed conflicts in each chapter of the novel. <br /><br />These two volumes are part of a 30 volume set that was published by Peter Fenelon Collier & Son in New York City, 1900. The Marymount Gomatos Collection has the entire set. <br /><br />The other volumes in this set include: <br />v. 1. <em>Oliver Twist</em>. <em>Out of Town</em>. <em>Out of Season</em> <br />v. 2-3. <em>David Copperfield</em> <br />v. 4. <em>Our Mutual Friend</em>, pt. I <br />v. 5. <em>Our Mutual Friend</em>, pt. II. <em>On Duty with Inspector Field</em>. <em>A Walk in a Work-House</em> <br />v. 6. <em>Great Expectations</em> <br />v. 7. <em>Little Dorrit</em>, pt. I <br />v. 8. <em>Little Dorrit</em>, pt. II. <em>Down with the Tide</em>. <em>A Plated article</em> <br />v. 9. <em>Martin Chuzzlewit</em>, pt. I <br />v. 10. <em>Martin Chuzzlewit</em>, pt. II. <em>Prince Bull: a Fairy Tale</em>. <em>Our Honorable Friend</em> <br />v. 11. <em>Nicholas Nickleby</em>, pt. I <br />v. 12.<em> Nicholas Nickleby</em>, pt. II. <em>A Christmas Tree</em>. <em>The Long Voyage</em> <br />v. 13 <em>A Tale of Two Cities</em>. <em>The Perils of Certain English Prisoners</em>. <em>The Wreck of the Golden Mary</em>. <em>The Begging-Letter Writer</em> <br />v. 14-15. <em>Dombey and Son</em> <br />v. 16. <em>The Old Curiosity Shop</em>, pt. I <br />v. 17. <em>The Old Curiosity Shop</em>, pt. II. <em>Hard Times</em>. <em>Sketches of Young Couples</em> <br />v. 18. <em>Christmas Books</em>. <em>The Haunted House</em> <br />v. 19. <em>Sketches by Boz</em> <br />v. 20-21. <em>Pickwick Papers</em> <br />v. 22-23. <em>Bleak House</em> <br />v. 24. <em>Pictures from Italy</em>. <em>The Uncommercial Traveler</em> <br />v. 25. <em>Barnaby Rudge</em>, pt. I <br />v. 26. <em>Barnaby Rudge</em>, pt. II. <em>Master Humphery’s Clock and Other Stories</em> <br />v. 27.<em> American Notes</em>. <em>Reprinted Pieces</em>. <br />v. 28. <em>A Child’s History of England</em> <br />v. 29. <em>Christmas Stories</em> <br />v. 30. <em>No Thoroughfare</em>. <em><em>The Mystery of Edwin Drood<br /><br /></em></em>Further reading:<em><em><br /><br />Scenes and Characters from the Works of Charles Dickens. Being Eight Hundred and Sixty-Six Pictures Printed from the Original Wood Blocks.</em></em> London: The Musson Book Co. Limited, n.d. <em>The Internet Archive</em>. Web. 12 Dec. 2016.
Creator
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Dickens, Charles, 1812-1870.
Publisher
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New York: P.F. Collier
Date
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1900
Type
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Document
Contributor
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Alajmi, Arib
Ficke, Sarah
Giblin, Kaitlyn
Heflin, Sara
Henkle, Richard
Format
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30 v. : ill., port. ; 21 cm.
Identifier
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http://catalog.wrlc.org/cgi-bin/Pwebrecon.cgi?BBID=4016283